There are three reasons why we love Canales. First of all, he produces true flamenco theater, with emphasis on lighting and staging. His sense of staging is from where he generates his power. Secondly, he understands how to create a powerful stage production. It was like a well written novel that you can't put down because you're anxious to see where it is leading you. Thirdly, he is a dynamic personality on stage; he is like a character in a novel that you can identify with, who you know, and for whom you feel a connection. He takes the time to stand, and wait for the audience to come along for the ride, and what a delightful ride it is.

The opening number included himself, and a young dancer, Juan De Juan. Canales first showed his talents, and then graciously gave the young man his moment to show his own. Later, Juan performed an enthusiastic Alegrias, with his fast footwork, and sharp stops. It was evident that this was a kid who was so excited to be on stage in the U.S. because he was beaming from ear to ear throughout the performance. Also, we noticed that the musicians were also enjoying his moment in the sun, and were pleasantly entertained by this young pup. In the wings, Canales finally gave his nod for Juan to end his performance. We have to say that Juan's exit was so absolutely effervescent, that he happily tripped off the stage. Of course, the audience applauded and appreciated this young talented man. To finish the show, Canales performed a well choreographed and dramatic Solea. To see and experience this type of artistry is incredible. His interaction with the audience was overwhelming; he would wait, and wait until the audience asked that he continued. Whew, he truly is a Master.